(The Silence of Ancient Light, continued)
The beach lay strewn with fallen trees, a bounty of choice from which to find three relatively straight and sturdy spars. Anna took her inspiration from the Keplerians’ own design, as she knew it was a good one. Lateen rigs had served ancient humanity well, from early days moving goods through Egyptian waters, to latter days on small boats for training young sailors. An easily handled rig, it would give them some modest upwind capacity using the materials at hand.
With plenty of climbing rope available, Anna and Laxmi soon had the mast stepped into the bottom of the raft and stayed forward and to either side. To avoid the need of a backstay, Anna rigged the port and starboard shrouds to pontoon handholds a meter aft of the mast step.
The shuttle’s emergency gear included five parachutes, just one of which provided more than enough material for a sail.
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Have you ever wondered how to turn an emergency life raft into a sailing trimaran? Well, if you ever find yourself marooned on a small island in the middle of a big ocean on an alien planet thousands of light-years from Earth, who knows? It might be just the skill to have.
Especially if the native inhabitants of that planet have made off with one of your crew members and left you with almost nothing with which to survive.
I will confess that way back when I first started writing The Silence of Ancient Light, I imagined a prologue scene with Anna, our protagonist, on Earth before the expedition begins. The scene involved Anna participating in a single-handed ocean race, navigating her sailboat alone across the Pacific, and yes, I meant it to serve as foreshadowing, as well as to provide some initial clues into Anna’s essentially introverted character. I dropped the scene before I ever wrote it, thinking it superfluous, but now I’m considering that it might serve a purpose after all, if nothing else than to explain just how it is that Anna knows how to build a crude sailboat and then operate it.
What do you think? Too much?
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