Tag: writing

Writing Retreats, Poll Results, and the WIP

On By Matt FraserIn Alpha Reads, Work in Progress, Writing ProcessLeave a comment

First off, the next scene from Chapter 3 is ready for your enjoyment (and your feedback — you’re an alpha reader, remember?). Anna, Laxmi, and Jaci are making the most of their enforced encampment upon an alien tropical beach. Jaci, hindered by a broken leg and thus unable to help with much else, becomes camp cook, and quickly nominates himself “greatest chef on the planet,” based upon a competition involving “every human within a thousand light-years.” Of course, there are only three humans within a thousand light-years…

So, if you’re ready to jump right in:

 

Chef

 

Meanwhile, in other news, the poll for best scene for an audience reading is still open (see the blog post immediately preceding this one), but results are starting to narrow down to a single choice, with one runner-up. I suppose I should not be surprised that, while one scene is more action-oriented than the other, both involve significant and colorful description of the world around our intrepid explorers, and that seems to be what people are gravitating towards. But, if you haven’t yet, go vote! And then check out the results.

Meanwhile, note to self: use more (or continue using) significant and colorful description of the world around our intrepid explorers!

Abeona in Port Madison
photo by Matt Fraser

Speaking of colorful, I spent the weekend on another mini “retreat,” once again anchored in the middle of Port Madison Bay by myself, for the purpose of some focused writing time. While I didn’t achieve as many total words as I might have hoped, I did produce this latest scene (why haven’t you read it yet?), and had a little fun with dialogue. Do let me know what you think of it, what works and what doesn’t.

Port Madison Morning
photo by Matt Fraser

I’ll be doing more of these!

header image credit: user:ChadoNihi / pixabay.com under CC0 1.0

Audience Reading: Poll

On By Matt FraserIn Appearances, Work in Progress2 Comments

I need your help.

A friend of mine has asked me to give a reading from my work at a function he’s organizing — ok, it’s his birthday party, and he’s a musician, and he plans to have a number of artists perform or present their art. There will be music, there will be poetry… and there will be me, reading a short bit of my science fiction to the audience.

I’ve never given any sort of public reading before, and I admit to a certain amount of nervousness. So, having read what online advice I could glean about such things — thank you, Internet! — it seems that I should try to keep it to about 5 minutes. At a typical audiobook pace of ~150 words per minute, that equates to 800 words. I’m prepared to round up, so I’m looking for a selection from my work-in-progress of roughly a thousand words.

But which thousand words? Obviously, I want it to be strong and captivating, so what does that mean when delivered via spoken word? Too much dialogue, and the audience could get lost in “he said, she said.” Too much description and too little action, and they could fall asleep. How to find the right balance?

Should it come from closer to the beginning of the work, when there is less knowledge assumed on the part of the audience? Or is a later selection ok, and just let unexplained things go?

So here are the five options I’m considering. Which would you pick? (Poll at the end of the list, or feel free to comment!)

  1. Ch.1, Approach
    1. This is the scene where Anna and Laxmi argue about aliens in the exercise room. There are some references in the dialogue to the sociological impacts of advancements in interstellar travel.
    2. 1,146 words
  2. Ch.1, Observatory
    1. Not the whole scene, but from “The observatory was a small transparent blister…” to “we outran our own historical radio waves to get here.”
    2. Here Anna enjoys some rare solitude while looking out at the galaxy and pondering radio signals; she gets a bit philosophical, and there are some nice references to the vastness of interstellar space and speed-of-light travel.
    3. 1,090 words
  3. Ch.2, Reaction
    1. This is a hard-core action scene. The shuttle is disabled and in danger of crashing, and (spoiler alert!) Takashi dies.
    2. 1,331 words; perhaps a bit long, but it’s a fast-paced scene.
  4. Ch.2, Deorbital, excerpt 1
    1. “You want to do what!” to “Yes, that technology.”
      1. Here Anna describes how and why she wants to land on the planet, in the face of insurmountable odds against survival.
      2. 964 words
  5. Ch.2, Deorbital, excerpt 2
    1. “The terminator merged with the eastern horizon behind them,” to “I think my leg’s broken.” (end of scene)
      1. Another action scene, atmospheric entry and crash-landing on the planet.
      2. 1,031 words

header image credit: user:Enokson/flickr.com under Creative Commons CC BY-ND-NC 2.0

WIP: Toxicology, & Continuing Chapter 3

On By Matt FraserIn Alpha Reads, Work in ProgressLeave a comment

Ah, but this has been a tougher month than anticipated, writing-wise. It’s been a good month otherwise, but I have been distracted, and procrastinating, and avoiding, and…

For some reason, I’ve found it hard to get started with this scene. I’ve crash-landed my characters on an alien world, and then… well, what now? Inspiration seemed to be lacking, so I did what any writer would do: anything else but write the scene. I played with Twitter (the bane of productivity!), I wrote 5000 words of advice for my daughter (which she’ll probably never read), I worked, I took a sailing vacation with said daughter…

And, of course, as always happens, when I finally sat down to write it, after a couple hours of staring out the window, once I started to write the words flowed easily. This is pretty common for me, and I hear it’s common for many others, too. I just need to get off my butt and spend more time in front of a screen.

Wait, that’s self-contradictory, isn’t it? If I’m spending more time in front of a screen, it’s probably while sitting on my butt. Hmm, a conundrum.

I’m distracting myself again, without getting to the point. The point, dear reader, is that the much-deferred and delayed scene is finally here. And what’s the first thing that a crew who find themselves marooned on an alien planet, teeming with vegetable life, need to do? Why, they need to run a toxicology report, of course. They need to find out if they can eat said vegetable life without dying horribly.

Good thing Laxmi’s along on this expedition, as she’s a top-notch exobiologist as well as ship’s doctor, and she knows just what to do. And, so will you, once you ride along on her shoulder:

 

Toxicology

header image credit: user:CHUCKage/flickr.com under cc by-nc 2.0

WorkInProgress: Deorbital

On By Matt FraserIn Work in ProgressLeave a comment

When we last we left our intrepid crew, they were understandably despondent, as malfunctions — ok, let’s be blunt, an explosion — on their orbital shuttle had left them unable to return to their starship, and essentially doomed to drift endlessly around the alien planet Kepler 62f forever, eventually to die of starvation. Well, forever, or until they run out of fuel for the remaining small thrusters and can no longer dodge out of the way of the abandoned alien space station or its ruined elevator cables to the surface.

But Anna never gives up, and she hits upon a brilliant, if unorthodox, idea that just might save them. But she knows it won’t be popular with Laxmi and Jaci, her remaining crew. Indeed, she thinks it’s crazy herself, but when faced with the choice of certain death or probable death, probable death starts to look rather attractive.

Yes, from the title of this scene, you’ve probably figured out where they’re going next. And come on, you’ve been waiting for this to happen, haven’t you?

So, find out how Anna and crew jump out of the frying pan and right into the fire, with…

 

Deorbital

header image credit: user:bachstroem / pixabay.com

WorkInProgress: Periapsis

On By Matt FraserIn Work in ProgressLeave a comment

Periapsis: the point of closest approach, or low point, in any orbit…

Anna has finished her EVA repair of the orbital shuttle, and now she, Laxmi, and Jaci are ready to try once again to return to their starship, Aniara. But is the long-abandoned alien space station ready yet to give up its grip on them? Will Anna’s repair withstand the rigors of engine ignition?

Will Jaci stop cracking jokes in the face of imminent demise? We all have our own way of dealing with stress, and this one is his. He really needs to find some little green aliens to talk to, but if that ever happens, you can be sure it will not go as expected.

Periapsis is an orbital component that you might be more familiar with as perigee, and it’s the opposite of apoapsis (or apogee). Perigee and apogee, of course, specifically refer to orbits around Earth (just as perihelion and aphelion refer to orbits around the Sun, and not just any sun, but specifically our Sun), whereas periapsis and apoapsis are “neutral” terms referring to orbit around any central body.

At the start of this scene, the shuttle is in an orbit matching that of the alien station, which is a circular orbit (periapsis = apoapsis) at geostationary altitude and zero inclination (i.e., directly above the planet’s equator). Anna intends to fly the shuttle up to their “parked” starship’s orbit, a hundred kilometers higher, by using a prograde burn to raise their apoapsis to match Aniara’s orbit. Along the way, however, something else happens…

If you want to get into geeky details about orbital mechanics, have a look at my earlier blog post Orbital Mechanics. If you just want to jump right in, however, join Anna and her crew in…

Periapsis

image credit: NASA/JPL-CalTech