WIP: Toxicology, & Continuing Chapter 3

Ah, but this has been a tougher month than anticipated, writing-wise. It’s been a good month otherwise, but I have been distracted, and procrastinating, and avoiding, and…

For some reason, I’ve found it hard to get started with this scene. I’ve crash-landed my characters on an alien world, and then… well, what now? Inspiration seemed to be lacking, so I did what any writer would do: anything else but write the scene. I played with Twitter (the bane of productivity!), I wrote 5000 words of advice for my daughter (which she’ll probably never read), I worked, I took a sailing vacation with said daughter…

And, of course, as always happens, when I finally sat down to write it, after a couple hours of staring out the window, once I started to write the words flowed easily. This is pretty common for me, and I hear it’s common for many others, too. I just need to get off my butt and spend more time in front of a screen.

Wait, that’s self-contradictory, isn’t it? If I’m spending more time in front of a screen, it’s probably while sitting on my butt. Hmm, a conundrum.

I’m distracting myself again, without getting to the point. The point, dear reader, is that the much-deferred and delayed scene is finally here. And what’s the first thing that a crew who find themselves marooned on an alien planet, teeming with vegetable life, need to do? Why, they need to run a toxicology report, of course. They need to find out if they can eat said vegetable life without dying horribly.

Good thing Laxmi’s along on this expedition, as she’s a top-notch exobiologist as well as ship’s doctor, and she knows just what to do. And, so will you, once you ride along on her shoulder:

 

Toxicology


header image credit: user:CHUCKage/flickr.com under cc by-nc 2.0

WIP: Lagoon, and Alpha/Beta Readers

Yes, it has been more than 24 hours since I published the latest scene from The Silence of Ancient Light, and yet I’m only now getting around to announcing it! What can I say, I had to run off to watch Solo with my daughter — which I quite enjoyed, thank you very much — but I’m back to do the needful.

And, in the interim, I’ve also done a little cleaning up of the organization of the scenes. After all, that menu was getting long, and unwieldy, especially for those using a smaller laptop (like I do when I’m writing all this). So, astute readers will notice that the scenes are now grouped into chapters, and this latest scene marks the start of Chapter 3. I hope this makes everything a little easier.

Before jumping into it, I want to talk a little about alpha readers and beta readers. The concept of beta readers is pretty familiar to anyone who hangs around writers much, and indeed is drawn directly from the software development world. Beta readers are “average” readers (meaning not usually other writers, nor industry professionals) who agree to read works prior to publication in order to provide feedback to the author for improvement. Typically it’s a nearly-finished work, having gone through a round or two of editing, and the purpose is to gauge emotional impact and determine if scenes and characters are hitting their marks.

Alpha readers, on the other hand, provide the same service, but at a much earlier stage in the process. Works in alpha are usually still first drafts, and thus potentially quite rough, and often alpha reading is done as scenes or chapters are written, so that the ending isn’t necessarily available yet. In “realtime,” in other words.

Does that seem familiar? It should. If you’ve been reading along with my progress here, you’ve been alpha reading.

And I’d really love some feedback. I know it’s rough, and there are plot holes, and technical issues. But there may be more holes and issues than I’m aware of, so I’d love it if you point them out. And I may be hitting the wrong notes with my characterization: is Anna relatable? Is she sympathetic? Is there something she should be more of, or less of, to be a stronger lead character? And what about the others? What about my pacing? Is the tension ok, or too much, or am I putting you to sleep?

If you’ve got suggestions, but are uncomfortable making them publicly, that’s ok. Just hit that “Contact” page and send me a message. But otherwise, feel free to comment right on the pages! My ego won’t be bruised… much. Let’s start a discussion!

And with that, allow me to unveil the latest story development: Anna, Jaci, and Laxmi have crash-landed on the alien world Kepler 62f, and, well, they could really use a break. They won’t get much of one, of course, as they are in pretty dire straits, so they immediately set about determining whether this planet is going to kill them, or sustain them. And… why is the sky green?

 

Lagoon


image credit: NASA/JPL-CalTech

WorkInProgress: Deorbital

When we last we left our intrepid crew, they were understandably despondent, as malfunctions — ok, let’s be blunt, an explosion — on their orbital shuttle had left them unable to return to their starship, and essentially doomed to drift endlessly around the alien planet Kepler 62f forever, eventually to die of starvation. Well, forever, or until they run out of fuel for the remaining small thrusters and can no longer dodge out of the way of the abandoned alien space station or its ruined elevator cables to the surface.

But Anna never gives up, and she hits upon a brilliant, if unorthodox, idea that just might save them. But she knows it won’t be popular with Laxmi and Jaci, her remaining crew. Indeed, she thinks it’s crazy herself, but when faced with the choice of certain death or probable death, probable death starts to look rather attractive.

Yes, from the title of this scene, you’ve probably figured out where they’re going next. And come on, you’ve been waiting for this to happen, haven’t you?

So, find out how Anna and crew jump out of the frying pan and right into the fire, with…

 

Deorbital


header image credit: user:bachstroem / pixabay.com

WorkInProgress: Periapsis

Periapsis: the point of closest approach, or low point, in any orbit…

Anna has finished her EVA repair of the orbital shuttle, and now she, Laxmi, and Jaci are ready to try once again to return to their starship, Aniara. But is the long-abandoned alien space station ready yet to give up its grip on them? Will Anna’s repair withstand the rigors of engine ignition?

Will Jaci stop cracking jokes in the face of imminent demise? We all have our own way of dealing with stress, and this one is his. He really needs to find some little green aliens to talk to, but if that ever happens, you can be sure it will not go as expected.

Periapsis is an orbital component that you might be more familiar with as perigee, and it’s the opposite of apoapsis (or apogee). Perigee and apogee, of course, specifically refer to orbits around Earth (just as perihelion and aphelion refer to orbits around the Sun, and not just any sun, but specifically our Sun), whereas periapsis and apoapsis are “neutral” terms referring to orbit around any central body.

At the start of this scene, the shuttle is in an orbit matching that of the alien station, which is a circular orbit (periapsis = apoapsis) at geostationary altitude and zero inclination (i.e., directly above the planet’s equator). Anna intends to fly the shuttle up to their “parked” starship’s orbit, a hundred kilometers higher, by using a prograde burn to raise their apoapsis to match Aniara’s orbit. Along the way, however, something else happens…

If you want to get into geeky details about orbital mechanics, have a look at my earlier blog post Orbital Mechanics. If you just want to jump right in, however, join Anna and her crew in…

Periapsis


image credit: NASA/JPL-CalTech

WorkInProgress: EVA

It’s a curious thing, but I’ve now had a couple people indicate to me that they’d be quite happy if I wrote faster. Some authors, famous for taking five-plus years per installment in their serial sagas, become annoyed when their fans try to rush them.

Not me. Ok, I’m hardly famous, and we aren’t talking about years here… and perhaps even saying fans would be a stretch… but when a couple readers tell me they’re impatient for the next scene in my serial novel, I find that highly encouraging! I’m not sure it gets me to write faster, but at least I know someone is waiting to read what I write, and that does indeed motivate me.

So, with that in mind, here it is! The next thousand words in the story of The Silence of Ancient Light. When last we left them, our heroes had managed to stabilize their crippled orbital shuttle against the surface of the alien space station, and they were mourning the death of Takashi, the engineer. The immediate danger is past, but they’re still in a bind, and they need to find a way to repair the damage to the shuttle. And to do that, someone is going to have to go back outside.

Extra-Vehicular Activity, or…

EVA


header image credit: pxhere.com